Questioning Natty Gray about his greater practice would invariably result in some sort of central spiel about “sound”. His solo audiological work embodies themes of obsessive compulsion, intrusive nostalgia, memorialization, and documentation. He has performed vocals in the noisecore band, Bullshit Market, is a member of audio-terror duo, Beachmaster, the vocalist and lyricist for cybergrind/nintendocore project, Kizumono no Hanako, and a regular collaborative AV composer with enviro-artist, friend, and Cult Love co-director LoDrum. He is an avid concert bootleg-er and field recorder, has produced and engineered bands and albums such as Crackrock’s debut full length, “Liquorgate”, as well as scored films, performed hours long meditative pieces, and crafted sound installations for various gallery exhibitions. Along with Cult Love, Tulsa Noise, and Peyote Tapes, he has also directed and managed the net label, Fresh Yabai Ongaku, and bootlegs & pirated media label, Shadow Sounds Ltd.